Junya Watanabe AW02’ high neck distress knit
From Junya Watanabe X Comme Des Garçons is a hardly seen high neck version of his 2002’ autumn winter distress grunge long sleeve. Features attentive detailing to various web knit patterns throughout the entirety of the sweater. Sits to smaller measurements but is meant to stretch for fit on body, fits a size small to - small large with elongated sleeve length. This collection was one of the many favorites among his work of grunge aesthetic, tapping into not just distressed denim and boot wear but the popularity of high neck sweaters in the US and Japan in that time as well. These high neck knits almost always have a type of pull or distressing to them, showing Junya’s understanding/appreciation for the whole non-perfect garment notion, and the history behind a worn out piece.
From Junya Watanabe X Comme Des Garçons is a hardly seen high neck version of his 2002’ autumn winter distress grunge long sleeve. Features attentive detailing to various web knit patterns throughout the entirety of the sweater. Sits to smaller measurements but is meant to stretch for fit on body, fits a size small to - small large with elongated sleeve length. This collection was one of the many favorites among his work of grunge aesthetic, tapping into not just distressed denim and boot wear but the popularity of high neck sweaters in the US and Japan in that time as well. These high neck knits almost always have a type of pull or distressing to them, showing Junya’s understanding/appreciation for the whole non-perfect garment notion, and the history behind a worn out piece.
From Junya Watanabe X Comme Des Garçons is a hardly seen high neck version of his 2002’ autumn winter distress grunge long sleeve. Features attentive detailing to various web knit patterns throughout the entirety of the sweater. Sits to smaller measurements but is meant to stretch for fit on body, fits a size small to - small large with elongated sleeve length. This collection was one of the many favorites among his work of grunge aesthetic, tapping into not just distressed denim and boot wear but the popularity of high neck sweaters in the US and Japan in that time as well. These high neck knits almost always have a type of pull or distressing to them, showing Junya’s understanding/appreciation for the whole non-perfect garment notion, and the history behind a worn out piece.
